My work explores growth, time, and organic systems. I create hand-built ceramic sculptures in stoneware, often reinforced with wire.

Surfaces build slowly. Layers form, shift, and settle—suggesting weathering, decay, and change over time.

Cracks and fissures are not flaws. They are part of the process. They reveal what’s happening beneath the surface, echoing natural cycles of growth and decay.

My background in faux finish shapes this approach. Surface becomes layers of time, not something to perfect or hide.

These sculptures don’t represent trees or nature directly. Instead, they follow a similar internal logic. Root-like forms twist and weave together, suggesting memory and a sense of something held inside.

Some pieces feel as if they are holding something—shaped slowly over time, as if by pressure from within.

I’m interested in what’s implied rather than described. The interior life of natural forms. The quiet intelligence that emerges through growth, erosion, and change.

About the Work

These are handmade ceramic sculptures in stoneware, built through a slow, intuitive process.

Each piece develops in layers. Texture, structure, and form emerge over time rather than being fully planned.

The material is durable, but the surfaces remain raw and tactile. No two works are the same.

Each sculpture captures a moment in a longer process—something still evolving, even after it’s finished.