My work explores growth, time, and the internal structures that develop within organic systems. Using hand-built stoneware, often reinforced with wire, I create layered surfaces that suggest accumulation, pressure, and gradual transformation.

Cracks, fissures, and exposed elements are not flaws but essential moments in the process. I am drawn to the way materials weather, fracture, and reveal what lies beneath—echoing natural cycles of growth and decay. My background in faux finish informs this approach, where surface imperfection becomes a record of time rather than something to conceal.

These sculptures do not depict trees so much as reflect their inner logic. Root-like forms coil and interweave, suggesting memory, containment, and connection. Many pieces feel as if they hold something within—compressed structures shaped slowly, as if by unseen forces.

I am interested in what is implied rather than described: the interior life of natural forms, and the quiet intelligence that emerges through growth, erosion, and change.